Showing posts with label S. Show all posts
Showing posts with label S. Show all posts

Friday, April 4, 2008

She-Freak (1967)


(1967 Mayflower Productions) Director: Byron Mabe Starring: Claire Brennen, Lee Raymond, Lynn Courtney, Bill McKinney, Claude Smith, and Felix Silla

There's a reason why I don't partake in the merriment of mechanical carnival and fairground amusement rides......

...when I was a kid in high school, an amusements vendor that used to service several of the county fairs in my hometown area would stroll into town and take up residence at the local fairground about three days before the county fair, and my friends and I knew it was time to make some quick cash....by climbing the fence and offering our "services" to the ride foreman, helping to assist in the set-up of the rides.....and trust me....the usual gang of idiots that I hung with were not construction engineers by no stretch of the imagination......myself included.


This usually involved myself (and said friends) just hanging out with various carny types, getting stoned and/or liquored up in the back of trailers and chasing "carny-tail" (don't ask). When we did work....it wasn't pretty. Let's just say that at one point in my life, while hanging in a harness upside down from a strut at the top of a ferris wheel , ninety-plus feet in the air with a tool belt...and in one hand some extra nuts and bolts that probably shoulda went somewhere, I began to realize that these things may not be too safe to be on, seeing as how the majority of them are set up in this fashion. Young, stupid kids just looking for beer money with a drop-wrench in their hand don't usually give much thought to safety procedures.

Ride at yer own risk, folks.......

The Plot: Opening with a Texas Chainsaw Massacre style title card sequence (sans the narration, though) which gives thanks to many carnival vendors and disavows that anything of the like of the following picture has ever happened, we are then treated to over five minutes of stock footage of a late 1960s carnival attraction in action while the title sequence is laid out. The dizzying scenes of fairground rides whirling about bring back childhood memories of county fairs past, but goes on way too long. If I wanted to see grubby carnies lazing about pulling brake handles with bright lights and buzzing noises, I'd just put in a day at my workplace and probably get the same effect. Cut to a greasy spoon style southern diner...ran by a guy named "Greasey"! Who'da thunk, eh? Greasy has in his employ one Jade (Claire Brennen), a mouthy trailer trash gal who buses tables in his joint, who dreams of leaving her podunk burg and making something of her life. Don't we all, honey...don't we all. But most of us aren't as bitchy about it.



A carny promoter stops by the joint just as Greasey is trying to put the moves on Jade....he's a slick one. "My wife's outta town. I'm a dirty smelly hick who owns a grease-pit...wanna do it?" Jade, spurning Greasey's Casanova-like charm, begs the promoter for info about obtaining a job with his traveling show, thus getting her fired. No big loss to the food service industry. She joins the carnival, at first working as a waitress (way to reach for the stars, Jade-baby!), where she meets with "Moon", a stripper with the girlie show (meow! The actress in this role is actually a decent looker) and Blackie, the ride foreman. Blackie's yer typical Rus Meyer-type tough guy, whom is a womanizer that Moon warns Jade about. She doesn't listen and has a fling with him. Then Jade falls for the Freak Show owner, a nice guy...whose money is the only thing Jade is interested in. Much to her later regret.



Jade visits the freak show...and is disgusted (FORESHADOWING!!!!!), all the while the owner falls for her, and they have a really quick marriage. So quick that Larry King would be envious. Jade continues to fool around with Blackie, until she's caught by Shorty, the freak show owner's cowboy hat wearin' midget assistant. Jade's hubby catches them in the act, and Blackie stabs him to death, leaving Jade to inherit the show. She mistreats the freaks, firing Shorty, pissing off her friend Moon and acts much like something that rhymes with.....oh...."BITCH" most of the time counting money. But the freaks take their revenge on her for the death of their friend, the sideshow owner....and she ends up an attraction herself! Never in a million years wouldya ever seen that one comin', would ya? Huh? Actually, the ending is pretty well telegraphed from the first ten minutes of the movie....The End.



Produced by David Friedman, a frequent collaborator with H.G. Lewis (2000 Maniacs, Blood Feast), it's easy to mistake this rip-off of Tod Browning's classic FREAKS as one of Lewis' works, because of similar editing techniques and camera set-ups, but was instead directed by Byron Mabe, the man behind the camera on The Acid-Eaters, a 1960s cult drug flick. A decent enough time-waster, worth a few chuckles.....

Monday, March 10, 2008

Shock Treatment: 25th Anniversary Edition (1981)

Tech Stuff:
Running Time: 92 minutes
MPAA Rating: PG
Format: Widescreen 1.85:1
Audio: Dolby Surround 5.1
Languages: English, Spanish
Subtitles: English, Spanish, French
Region: 1
MSRP: $14.98

The Flick:
Filmed in 1981, SHOCK TREATMENT holds a very unique place in the realm of studio marketting: while most major studio marketting is geared towards creating the next "blockbuster" moneymaker or at the least making a quick buck and pulling the product from screens, it's quite possibly the first time that a major studio greenlit a project with hopes of creating a cult following. The story goes as follows: At some point in the early 1980s, the brass at 20th Century Fox took notice of a little phenomena that was occurring called The Rocky Horror Picture Show....

Rocky Horror had a very limited release during it's theatrical run, made very little money, and quickly disappeared from several venues....but,.....

...A little novelty known as the midnight showing had attracted a very loyal and rabid fanbase, gathering every Friday or Saturday night at select inner city and arthouse theatres. And, surprisingly.....6 or 7 years after the film's debut....Richard O'Brien's little perverted musical was making money. Not alot...but it was steady money. The little film about a transvestite alien and his singing and dancing friends that nobody knew what to do with during it's intial run was still generating revenue. So, someone at Fox decided that it was a brilliant idea to snag the guys behind this "Rocky Horror" thing (director Jim Sharman and composer/co-writer Richard O'Brien) and have'em crank out another one of these babies. And this time, they'd play it smart....they'd try and pawn it of not on a huge general audience, but instead market it to the smaller niche fringe that had embraced the earlier film.

All logical ideas.....but, surprise, intially it failed. Afte avery limited release, the film disappeared and inhabited that limbo of relative obscurity that several films of it's type lived in that were produced in the early 1980s, popping up for a few small VHS releases and nothing more. Which should go to prove just how intangible a concept a "cult following" is. It's something that can't exactly be created....it just sorta happens (someone should fill-in Charles Band and Lloyd Kaufman on this). Even if all the ingredients are there, there's no guarantee. That's the fun of b-films and cult movies....you never exactly know what or why a small, select part of the audience is gonna find endearing enough to show further devotion to.

The story (in hindsight) is fairly inventive and to a creepy extent prophetic about the way we intake our media and pop culture today....O'Brien and Sharman are playing around with the concepts of media manipulation and reality television shows a full two decades before much attention was being thrust on them, which was followed by astronomic amounts of popularity. Brad and Janet Majors return from Rocky Horror, finally married and at a point in which, to say the least, the honeymoon's over. After becoming contestants on a game show, the real horror begins as Brad is locked away in a sanitarium and Janet (portrayed here by Jessica Harper) is molded into a shallow media star by bad guy media mogul Farley (half of a brilliant dual role performed by Cliff DeYoung, who also stars as Brad Majors).

The music's a step above...I say this because while I may enjoy the tunes of The Rocky Horror Picture Show more, I tend to listen to the soundtrack of Shock Treatment more often, because the tracks included in it show a sense of growth for O'Brien as a songwriter, especially the title tune.

Interestingly enough, SHOCK TREATMENT, due to renewed interest amongst RHPS fandom via convention showings, has finally garnered the cult following it deserves, and this 25th anniversary DVD release was welcomed with more fanfare than Fox was able to generate in theatres a couple of decades ago.

Extra Crap:
Full Length Audio Commentary by SHOCK TREATMENT Fan Club Presidents "Mad Man Mike" and Bill Brennan- Really informative and fun...these guys know their stuff and make it as light as possible.

DTV Presents: A Shockumentary: Nice littel featurette taking us behind the scenes with stories about the pre-production and filming.

Let's Rock n' Roll: Shock Treatment's Super Score Featurette: A retrospective look at the folks behind the songs of the film.



Original Theatrical Trailer
International Trailer